There is a saying that every one of us has his পছন্দ ডিজনি movie, পছন্দ ডিজনি moment, and পছন্দ ডিজনি character. For a long time that was true for me too. And then, one day, I realized that the whole thing suddenly became complicated. Disney’s তালিকা of masterpieces has grown over the last years to a point, where it would impossible for me to make a শীর্ষ ten তালিকা of my favorites, never mind being able to pick one of them to be one which stands above them all. After all, can আপনি really compare Dumbo, Fantasia, The Little Mermaid and The Emperor’s New Groove? Some of those চলচ্চিত্র are as different as it gets, and picking one of them over another is like deciding if আপনি prefer your evening গাউন, gown over your পছন্দ jeans. It all depends on circumstances in the end. So I have begun grouping the চলচ্চিত্র together: The fairy tales, the package movies, the real-life mixed with অ্যানিমেশন pictures, চলচ্চিত্র based on বই and those based on original storylines.
Especially in regards on the Fairy-Tale movies, ডিজনি often gets accused of using the same formula again and again and again. And while this is true in many aspects, ডিজনি also developed the formula over the time. Looking now back on all the years spend with those movies, my view on them naturally has changed. And I admit I’m kind of sad that I can’t see them any longer with the eyes of a child. On the other hand, I now have a whole new appreciation for some aspects of those movies. But let’s take a look at Disney’s most successful formula.
Snow White and the Seven Dwarfs is naturally the movie which started everything, and will always be remembered for this fact alone. Walt ডিজনি bargained everything in order to realize his vision and Snow White became a huge success. But does it still hold up? Well, yes and no. As a child the scenes which mostly stuck to my head were the really scary and the really funny ones. This hasn’t changed much. I still smile about the antiques of the dwarfs, and I’m still suitable chilled when Snow White gets হারিয়ে গেছে in the woods and the evil কুইন undergoes her legendary transformation. But even as a child, I very much preferred Sleeping Beauty and Cinderella over Snow White. Looking at it now, I see why: The story. In the end, this one boils down to the most basic elements of the fairy tale. The characters are very bland and the only thing ডিজনি added to the original story was a five মিনিট meeting between Snow White and the Prince and a lot of comic-relief. It’s not like the character নকশা is bad, quite the opposite: Snow White’s innocence is underlined in every way possible, the dwarfs got all defining characteristics (and the fitting names for them) and the evil beauty of the কুইন is impressive. But all those characters are reduced to this one characteristic. The only conflicted personality is the huntsman, but he vanishes at the beginning of the movie and we never learn what becomes of him.
It’s fairly obvious that Walt ডিজনি was mostly interested to demonstrate what অ্যানিমেশন could do, especially compared to live action movies. He chose Snow White specifically because the seven dwarfs would allow him to point of the advantages of his kind of filmmaking. His focus simply wasn’t on the story; it was on the visuals, on প্রদর্শিত হচ্ছে the audience things which couldn’t be done with real actors. It’s obvious that a lot of work and প্রণয় went into those scenes. Even দ্বারা today’s standard the অ্যানিমেশন is impressive, and the scene in the woods as well as the transformation scene is still very effective.
What doesn’t hold up that well is the music. The style is a little bit dated, but that doesn’t change the fact that the melodies are likeable and catchy. The problem is the topic of most of the songs. There is the usual প্রণয় song (and really, there is not one প্রণয় song দ্বারা ডিজনি which isn’t memorable), the “I want”-song (which boils down to Snow White waiting for her prince), and the iconic “Heigh-Ho” which introduces the dwarfs, but otherwise Snow White and the Dwarfs sing about such exiting things as cleaning up and one song which is deliberately utterly nonsensical (they even say so in the refrain).
Does this make Snow White a bad movie? Definitely not, but it ranges quite low on my personal পছন্দ list. And in a way, this is a good thing. It would have been very frustrating if ডিজনি had never managed to surpass the very first masterpiece.
Especially in regards on the Fairy-Tale movies, ডিজনি often gets accused of using the same formula again and again and again. And while this is true in many aspects, ডিজনি also developed the formula over the time. Looking now back on all the years spend with those movies, my view on them naturally has changed. And I admit I’m kind of sad that I can’t see them any longer with the eyes of a child. On the other hand, I now have a whole new appreciation for some aspects of those movies. But let’s take a look at Disney’s most successful formula.
Snow White and the Seven Dwarfs is naturally the movie which started everything, and will always be remembered for this fact alone. Walt ডিজনি bargained everything in order to realize his vision and Snow White became a huge success. But does it still hold up? Well, yes and no. As a child the scenes which mostly stuck to my head were the really scary and the really funny ones. This hasn’t changed much. I still smile about the antiques of the dwarfs, and I’m still suitable chilled when Snow White gets হারিয়ে গেছে in the woods and the evil কুইন undergoes her legendary transformation. But even as a child, I very much preferred Sleeping Beauty and Cinderella over Snow White. Looking at it now, I see why: The story. In the end, this one boils down to the most basic elements of the fairy tale. The characters are very bland and the only thing ডিজনি added to the original story was a five মিনিট meeting between Snow White and the Prince and a lot of comic-relief. It’s not like the character নকশা is bad, quite the opposite: Snow White’s innocence is underlined in every way possible, the dwarfs got all defining characteristics (and the fitting names for them) and the evil beauty of the কুইন is impressive. But all those characters are reduced to this one characteristic. The only conflicted personality is the huntsman, but he vanishes at the beginning of the movie and we never learn what becomes of him.
It’s fairly obvious that Walt ডিজনি was mostly interested to demonstrate what অ্যানিমেশন could do, especially compared to live action movies. He chose Snow White specifically because the seven dwarfs would allow him to point of the advantages of his kind of filmmaking. His focus simply wasn’t on the story; it was on the visuals, on প্রদর্শিত হচ্ছে the audience things which couldn’t be done with real actors. It’s obvious that a lot of work and প্রণয় went into those scenes. Even দ্বারা today’s standard the অ্যানিমেশন is impressive, and the scene in the woods as well as the transformation scene is still very effective.
What doesn’t hold up that well is the music. The style is a little bit dated, but that doesn’t change the fact that the melodies are likeable and catchy. The problem is the topic of most of the songs. There is the usual প্রণয় song (and really, there is not one প্রণয় song দ্বারা ডিজনি which isn’t memorable), the “I want”-song (which boils down to Snow White waiting for her prince), and the iconic “Heigh-Ho” which introduces the dwarfs, but otherwise Snow White and the Dwarfs sing about such exiting things as cleaning up and one song which is deliberately utterly nonsensical (they even say so in the refrain).
Does this make Snow White a bad movie? Definitely not, but it ranges quite low on my personal পছন্দ list. And in a way, this is a good thing. It would have been very frustrating if ডিজনি had never managed to surpass the very first masterpiece.
