Jane Stevenson from Toronto Sun gave the সঙ্গীতানুষ্ঠান four out of five stars and ব্যক্ত that "Lady Gaga came across as a confident, colourful, and campy performer. ... Gaga's success was evident with slick-looking videos, lights, elaborate costumes, dancers, and yes, a band, even if her stage was sometimes left dark as she left to make numerous changes."
T'Cha Dunlevy for The Gazette noted that the performance was lacking ("The elements are there but they haven't all been brought together"), adding that the প্রদর্শনী never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never," Dunlevy concluded.
Aedan Helmer from Jam! magazine ব্যক্ত that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers – dubbed Haus of Gaga – who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. [...] But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. [...] The Lady can sing."
Theatre critic Kelly Nestruck, while লেখা for The Guardian ব্যক্ত "While The Monster Ball has nothing on the great operas অথবা the golden age of musical theatre, Lady Gaga's "electro-pop opera" is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade."
Lauren Carter from Boston Herald praised the প্রদর্শনী saying "[Gaga] only has two albums under her বেল্ট (maybe closer to one-and-a-half) but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. [...] After [the show] at the Wang Theater, অনুরাগী could justifiably walk away thinking Lady Gaga is crazy, brilliant অথবা both."
Jeremy Adams from Rolling Stone reviewed the performance at Wang Center in Boston and ব্যক্ত that "Throughout the evening, Gaga [..] aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."
Sam Adams from The Philadelphia Inquirer felt that "Gaga seemed isolated on stage, and oddly tentative, as if not quite ready to assume stardom as her right rather than a privilege contingent on each passing instant... Her two-hour set was full of dead spots and long breaks for costume and scenery changes that sapped the show's momentum and disrupted its groove."[23] Chris Johnson from Daily Mail complimented the costumes worn in the tour.[18] Aidin Vaziri of San Francisco Chronicle ব্যক্ত that "During her 90-minute performance - not so much a live সঙ্গীতানুষ্ঠান as a meticulously choreographed spectacle - Lady Gaga also evoked Kanye West with the futuristic set, Britney Spears in her heavy-lidded stage movements, Courtney প্রণয় with her interminable between-song monologues highlighted দ্বারা four-letter squelches and - who else? - ম্যাডোনা for, oh, just about everything else."
Jim Harrington from San Jose Mercury News felt that the প্রদর্শনী would have been better technically if around thirty মিনিট were lessened from it. However, he compared Gaga's vocal abilities and performance with that of ম্যাডোনা and complimented her "undeniable তারকা power and pure attitude. She doesn't concern herself with what আপনি think of her R-rated maneuvers, অথবা basically anything else, and she'll tell আপনি that straight to your face." James Montogomery from এমটিভি reviewed the সঙ্গীতানুষ্ঠান at San Diego and ব্যক্ত that "[Gaga] powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque."
Joe Brown from Las Vegas Sun ব্যক্ত that "Lady Gaga out-Cher-ed Cher, made Cirque du Soleil and Britney's 'Circus tour' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic.[19] Ann Powers from Los Angeles Times মতামত প্রদত্ত that the tour was "an invigoratingly ambitious show, executed with vigor দ্বারা its তারকা and her expressive dancers."
T'Cha Dunlevy for The Gazette noted that the performance was lacking ("The elements are there but they haven't all been brought together"), adding that the প্রদর্শনী never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never," Dunlevy concluded.
Aedan Helmer from Jam! magazine ব্যক্ত that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers – dubbed Haus of Gaga – who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. [...] But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. [...] The Lady can sing."
Theatre critic Kelly Nestruck, while লেখা for The Guardian ব্যক্ত "While The Monster Ball has nothing on the great operas অথবা the golden age of musical theatre, Lady Gaga's "electro-pop opera" is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade."
Lauren Carter from Boston Herald praised the প্রদর্শনী saying "[Gaga] only has two albums under her বেল্ট (maybe closer to one-and-a-half) but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. [...] After [the show] at the Wang Theater, অনুরাগী could justifiably walk away thinking Lady Gaga is crazy, brilliant অথবা both."
Jeremy Adams from Rolling Stone reviewed the performance at Wang Center in Boston and ব্যক্ত that "Throughout the evening, Gaga [..] aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."
Sam Adams from The Philadelphia Inquirer felt that "Gaga seemed isolated on stage, and oddly tentative, as if not quite ready to assume stardom as her right rather than a privilege contingent on each passing instant... Her two-hour set was full of dead spots and long breaks for costume and scenery changes that sapped the show's momentum and disrupted its groove."[23] Chris Johnson from Daily Mail complimented the costumes worn in the tour.[18] Aidin Vaziri of San Francisco Chronicle ব্যক্ত that "During her 90-minute performance - not so much a live সঙ্গীতানুষ্ঠান as a meticulously choreographed spectacle - Lady Gaga also evoked Kanye West with the futuristic set, Britney Spears in her heavy-lidded stage movements, Courtney প্রণয় with her interminable between-song monologues highlighted দ্বারা four-letter squelches and - who else? - ম্যাডোনা for, oh, just about everything else."
Jim Harrington from San Jose Mercury News felt that the প্রদর্শনী would have been better technically if around thirty মিনিট were lessened from it. However, he compared Gaga's vocal abilities and performance with that of ম্যাডোনা and complimented her "undeniable তারকা power and pure attitude. She doesn't concern herself with what আপনি think of her R-rated maneuvers, অথবা basically anything else, and she'll tell আপনি that straight to your face." James Montogomery from এমটিভি reviewed the সঙ্গীতানুষ্ঠান at San Diego and ব্যক্ত that "[Gaga] powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque."
Joe Brown from Las Vegas Sun ব্যক্ত that "Lady Gaga out-Cher-ed Cher, made Cirque du Soleil and Britney's 'Circus tour' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic.[19] Ann Powers from Los Angeles Times মতামত প্রদত্ত that the tour was "an invigoratingly ambitious show, executed with vigor দ্বারা its তারকা and her expressive dancers."
I want your whisky mouth
All over my blonde south
Red wine and cheap perfume
And a filthy shout
Tonight bring all your বন্ধু
Because a group does it better
Why river with a pair
Let’s have a full house and leather
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Dirty টাট্টু I can’t wait to hose আপনি down
You’ve got to earn your leather in this part of town
Dirty pearls and a patch for all the Rivington Rebels
Let’s raise hell in the streets drink বিয়ার and get into trouble
I could be your girl girl girl girl girl girl
But would আপনি প্রণয় me if I ruled the world world world
Oooooo
Heavy Metal Lover
Whip me slap me, drunk funk
New York clubbers, bump drunk
Budlite, liquors, bar slam
Wash the night, with St. J-ameson
Like a baptism
Heavy metal প্রেমী play
Because we were born this way
All over my blonde south
Red wine and cheap perfume
And a filthy shout
Tonight bring all your বন্ধু
Because a group does it better
Why river with a pair
Let’s have a full house and leather
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Ooh-ooh-ooh-who-who
Who-who-who ooh-who-who
Who who
Heavy Metal Lover
Dirty টাট্টু I can’t wait to hose আপনি down
You’ve got to earn your leather in this part of town
Dirty pearls and a patch for all the Rivington Rebels
Let’s raise hell in the streets drink বিয়ার and get into trouble
I could be your girl girl girl girl girl girl
But would আপনি প্রণয় me if I ruled the world world world
Oooooo
Heavy Metal Lover
Whip me slap me, drunk funk
New York clubbers, bump drunk
Budlite, liquors, bar slam
Wash the night, with St. J-ameson
Like a baptism
Heavy metal প্রেমী play
Because we were born this way