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 Lovely rose!
Lovely rose!
Hi guys, earlier on I পোষ্ট হয়েছে about my review about Gaston Leroux's horror classic. So are my personal opinions about the book in general, I will also be including bits of the musical on which it's base on.

The Story

I was very familiar with the story, especially since I had heard many of the familiar songs from the musical itself. When I read the book for the first time, I was really amazed on how the story is partially different from the musical itself.
Surely, it was a very intriguing story that every night I would listen to the audio-book and I would cry at the end, because the Phantom is a very sympathetic character and has no প্রণয় from neither his parents nor anyone. Prompting him to go mad!
But there is one thing that I did not quite understand, it was that when Raoul and the Persian were nearly drown at the bottom of the opera house when they are going to rescue Christine from the titular character. Then, in the পরবর্তি chapter when Erik (the phantom) told his side of the story and about the young couple's whereabouts to the Persian. Both the latter and Raoul are নিরাপদ & sound, to me it seems very abrupt!

The Characters

In a contrast to the musical, certain characters are different to their musical counterparts. In the likes of Madame Giry, Meg Giry, Christine Daae and Carlotta. Christine is actually a chorus member and is not a ballerina. She and Meg knew each other but are not friends, Carlotta is a Spanish and not Italian while Madame Giry is the guardian to Box 5, which is Erik's favourite আসন and she is not a ballet teacher.
Erik & Raoul still remain the same, and the latter had a disagreement with his brother, Count Philippe over his relationship with Christine Daae. I was also very sad that Count Philippe died at the bottom of the lake at Erik's lair.
Speaking of the Persian, I was disappointed that he did not make an appearance in the musical version. He was a major help to Raoul especially during the ending as mentioned, in fact they could work as a team together and it was also very sad that he last saw Raoul at the final lair alongside Christine and he is Erik's only friend.
I was really sad that Erik initially sees the Persian as a Judas দ্বারা helping Raoul, the former is overcome with emotions that he feels remorse after falsely accusing and misunderstood the Persian from Erik's confessions regarding the young couple's whereabouts. I would definitely feel the same if I were the Persian himself!
While in the torture chamber, I would imagine being in it when it started it's magic and I would go mad দ্বারা it's effects and die of thirst later on.

No Ordinary Skeleton

The story concludes that the skeleton is still kept in the Paris Opera House with the ring that Christine had promise Erik and yes, it's no ordinary skeleton. It was really a sad novel and I would প্রণয় to read it again, do you?
 Erik, oh Erik!
Erik, oh Erik!
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We all have our fandoms.
We all have those certain বই we can’t stop talking about, those চলচ্চিত্র and TV shows we can’t stop re-watching, those video games we can’t stop re-playing, and those মিউজিক্যাল that whenever the tour comes to town, we watch them again and again. We have all found escape into either an adventure অথবা experience, whether it be in our modern-day world অথবা a completely different place and time. Thanks to writers and directors, there are conflicts that get our hearts racing and আরো often than not, there are universal truths where we learn আরো about ourselves, others,...
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Alan Weisman
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St. Martin’s Press

– A fascinating eco-thriller … Gripping

The simple but irresistible premise of Alan Weisman's The World Without Us - what would happen to the planet if human beings simply disappeared - lit up imaginations even as it ignited controversy around the world.

Weisman's "thought experiment" examines what would happen in both the immediate and distant future to the land, the animals, the oceans, our cities, our art, and all manner of things we take for granted if we were no longer here. Would the seas again teem with fish? Would our concrete jungles crumble...
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Why human beings make and enjoy সঙ্গীত is, in Levitin’s telling, a delicious story. In this unprecedented meeting of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between সঙ্গীত – its performances, its composition, how we listen to it, why we enjoy it – and the human brain.

Taking on prominent thinkers who argue that সঙ্গীত is nothing আরো than an evolutionary accident, Levitin argues that সঙ্গীত is fundamental to our species, perhaps even আরো so than language. ‘This Is Your Brain On Music’ is an ear-opening,...
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